Church of St. Martinian Ferapontov Monastery description and photos - Russia - North-West: Vologda Oblast

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Church of St. Martinian Ferapontov Monastery description and photos - Russia - North-West: Vologda Oblast
Church of St. Martinian Ferapontov Monastery description and photos - Russia - North-West: Vologda Oblast

Video: Church of St. Martinian Ferapontov Monastery description and photos - Russia - North-West: Vologda Oblast

Video: Church of St. Martinian Ferapontov Monastery description and photos - Russia - North-West: Vologda Oblast
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Church of the Monk Martinian Ferapontov Monastery
Church of the Monk Martinian Ferapontov Monastery

Description of the attraction

The tent-roofed church of the Monk Martinian is part of the Ferapontov Monastery. It was built in 1641. The porch was added in the middle of the 19th century. The temple was erected over the burial place of the Monk Martinian - the second founder of the Ferapontov Monastery - at the southern wall of the Nativity Cathedral. There is a carved inscription on the white-stone temple building board of the temple informing about the completion of its construction on August 1, 1641.

The Monk Martinian of Belozersky (in the world Mikhail) was born in 1370 in the town of Berezniki, near the Kirillov Monastery. At the age of thirteen, he left his parents and secretly reached the Monk Cyril of Belozersk, whom he had heard a lot about as a great ascetic. Martinian, who was in perfect obedience to the teacher, began to zealously imitate him. In the monastery Martinian was taught to read and write and, with the blessing of the Monk Cyril, he began to rewrite books.

After a while, Martinian was ordained a hierodeacon, and later - a hieromonk. After the death of the Monk Cyril (1427), the blessed Martinian set off for silence on a deserted island, which was located on Lake Vozhe. Over time, a small circle of monks formed around him. The Monk Martinian erected for them the Church of the Transfiguration of the Lord and organized a cenobitic ustav. At the persistent requests of the brothers of the Ferapontov Monastery, he becomes the abbot of this monastery and brings it into a flourishing state.

The Monk Martinian provided spiritual support to the Grand Duke Vasily Vasilyevich the Dark in a difficult time for him, when Dimitri Shemyaka, his cousin, dishonestly claimed the Moscow throne. Martinian has always been a champion of justice and truth. After a while, at the request of the Grand Duke, the monk began to govern the monastery of Saint Sergius of Radonezh. In the middle of the 15th century, in 1455, the Monk Martinian again returned to the Ferapont Monastery. In old age, he was seriously ill, could not walk, and the brothers carried him to church. Martinian died at the age of 85. In 1514, his relics were found, on October 7, the memory of the acquisition is commemorated.

The Church of the Monk Martinian was erected by Cyril craftsmen. The volume of the temple is simple and laconic, represented by a small cube with an octagonal tent and a graceful drum. The interior lighting solution of the church is unique: the windows are placed only at the top of the volume and with their spotlights direct the sun's rays to Martinian's burial, creating the effect of his glow. The space of the tent, immersed in darkness and ending in a drum of light, seems to be a tunnel that leads to the Kingdom of Heaven.

Over the grave of Martinian, on the outer southern wall of the Church of the Nativity of the Virgin, in 1502 the icon painter Dionysius painted the image of the Mother of God of the Caves with the archangels Gabriel and Michael, St. Nicholas and Therapont and Martinian (the founders of the monastery), who kneel at the feet of the Mother of God. After the construction of the stone church of the Venerable Martinian, this area of the external painting of the cathedral is located in the arched opening of the north wall of the Martinian church. A very rare image has survived here, without halos, the founders of the monastery, Ferapont and Martinian, who were not yet canonized at the beginning of the 16th century. They were canonized only in the middle of this century.

Since 1838, the church houses a two-tiered iconostasis. It was made by Nikolai Milavin, a Vologda bourgeoisie. Figures of the Archangel Gabriel and Mary from the Annunciation scene have not survived in the carved royal gates. The inscription "Immortal meal" symbolizes the sacrament of the transubstantiation of bread and wine into the Body and Blood of Christ.

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